Commentary on Published Pieces

Commentary on “Another Boyman Shouts ‘Faggot’ at Me from His Car” by Levi Todd from TBP 2018

Ashley Burns is the Assistant Managing Editor of The Broken Plate 2021. She is currently majoring in English Literature and minoring in Marketing and Professional Writing and Emerging Media. In this post, Ashley provides commentary on Levi Todd’s poem “Another Boyman Shouts ‘Faggot’ at Me from His Car,” which was previously published in our 2018 issue of The Broken Plate.


 

Another Boyman Shouts “Faggot” At Me From His Car

by Levi Todd

 

and I’m like       Who, me?

and I’m like       Maybe

and I’m like       When I kissed that boy I ran down the hall with permission        

/ dribbling down my chin / then I woke up sober to do it         

again

and I’m like       And I’d do it again

and I’m like       Want to find out?

and I’m like       I can feel the Arctic spooling / from your lungs and I don’t        

want you / getting pneumonia

and I’m like       I want to house that word in this poem / to describe bundles       

of sticks / take back the authentic definition and preach       

/ strength in numbers

and I’m like       But all it means now / is the absence of people / between        

 your car and me / you’ve claimed it already

and I’m like       So I’ll let you keep it

and I’m like       It’s not your fault you open your throat and wasps come out

and I’m like       There’s a wasp’s nest / in our community garden that no one        

knows / how to move safely / so we haven’t yet / so I get it

and I’m like       I’ve seen your face before

and I’m like       It’s moonless tonight and you’ve had a few drinks

and I’m like       I have been in moonless places before with men / thirsty       

/ for something they can break / open and nurse from

and I’m like       and apparently you’re a man / too

and I’m like       Your mouths are echo chambers / of the same god-fearing hymn

and I’m like       I’ll bet one day your daddy put you down / and you were never       

held again

and I’m like       Maybe I look untethered on my bike / inhibition a suit coat that       

does not fit

and I’m like       I’m staying in my lane / but I’ll cross over if you need me / to

and I’m like       Shed the sandpaper

and I’m like       Ditch this grit

and I’m like       Just watch the road

and I’m like       before you wreck us both, honey.

 


 

I stumbled across this piece randomly, while aimless scrolling through past issues and waiting for something to stand out.

Like it usually does, the word “Faggot” did exactly that.

For the 2021 issue, our team took precious time out of our reviewing schedule to reconsider and rewrite a mission statement for The Broken Plate. What does it mean to be broken, we wondered, what does it mean to be pieced back together into something more? We decided that this is what our journal does – refuse to ignore the pain so many people are going through as a result of illness and bigotry because to do so would be neglecting the purpose of a literary journal, even of literature in general. Art reflects the humanity that creates and consumes it, after all.

Todd’s piece manages to reflect a pain and a bigotry and a genuine human response to both. It reminded me of our mission this year first because of its language – the structure of the poem is held together by the repeating line “and I’m like”, a commonly repeated colloquialism among millennials and Gen Z’s when relaying a story to a friend, and thereby effectively pinning it to the 21st century and the brokenness we have felt during it. However, the language also manages to transcend a time period with its poetic symbolism and imagery. Every generation can relate to being on the receiving end of someone who will “open their mouths and wasps come out” for one thing or another.

However, it was these lines that made me pause, reread, and stare for a minute at the title, remembering a mission we are so keen on considering in this year – of brokenness and the community it builds –

“And I’m like I have been in moonless places before with men / thirsty / for something they can

          break / open and nurse from

And I’m like and apparently you’re a man / too”

           

In two lines Todd manages to share a piece of their brokenness, of the damage other people can cause, and then, suddenly build a connection with the ignorant stranger that reminded them of that pain. This, in my opinion, is all that The Broken Plate is trying to share with its readers.